Some of my short stories look traditional but aren’t. When they veer too far from the recognized format, I suffer multiple rejections and irrelevant advice on how to make the story better. “Agent of God,” is an example. I floated that story around the internet for a coup
J. C. Halliman cocks a doubtful eyebrow at novelist Philip Roth’s announcement he has retired from writing. (“The Monk Retires,” The Baffler, Vol. 27, pgs. 184-189.) If so, the essayist wonders, why do we keep seeing him on television or as a speaker at literary events. From t